Sunday, June 28, 2009

Amateurland

One of the biggest challenges I've faced in the past ten years since I started writing seriously (or is it seriously writing?) is my decline into mediocrity. Namely, my failed attempt(s) to become a professional writer.

What does that REALLY mean, though? If it means getting paid, well then, that has happened for me (got my $30 check in the mail almost a year ago). But what I think we (meaning you and me) truly mean by "professional" is writing like one. And THAT my friends, is what led me down the path into Amateurland (to be clear, what I mean by "amateur" has more to do with attitude than aptitude, in this case).

Insidious, isn't it? We all do it (at least I'd like to imagine so) because we want our story to be great from the onset. Believe me, I know. All along I was trying my best: pouring over every sentence as I wrote it, every syllable as I wrote it, reading and rereading and re-rereading every paragraph as I wrote it, editing the story as I wrote it, changing the niggliest details as I wrote it, redrafting ten, twenty, thirty, seventy times (you guessed it) as I wrote it, and all so my manuscript would be perfect from beginning to "The End." If only hard work equaled quality. The truth is in writing it doesn't. Not if the hard work sounds anything like what I've described, because what I've described isn't a labor of love, it's torture (the writer's equivalent of water-boarding).

Don't do it to yourself. Take it from me, only one of two things can come of it: you'll go mad and quit or you'll go mad and realize what I'm trying to tell you now (Hemmingway thought of a third option, but I don't recommend it).

Just write. Don't worry about perfection (as my protagonist said in my first novel, "Perfect is for God and circles." I should've listened to his (meaning: my) advice; we both would've been better off if I had). Worry about crafting a story you not only love, but love writing. In the end, that's what will make it great.

I want to leave you today with a poem I wrote called, "Squeeze the Orange." It's about my youngest daughter and also happens to be my best example of why you should follow my advice. It came out of me whole, without a second thought or reservation. But most importantly, I wrote it in its entirety first, and THEN polished it. Had I not, I would've lost the moment, and therein lies the tragedy.

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“Orange… Salute!”

There she sways in her leotard,
lost in a mob of tumblers,
a chanter on naked toes.

“Form the orange, form,
form the orange…”

My daughter
the seven-year-old,
the second-grader,
who still doesn’t know
how to swim
or ride a bike.

Not from negligence
I hope you know,
but know you don’t believe.

“Peel the orange,
peel, peel the orange…”

It is simply her nature
to be cautious;
to worry the concern
for her own safety
smooth like a stone.

I have tried to instill
a fearlessness in her
I never felt myself.

It is my duty
as a father,
as the first man
she ever loved,
to be braver
than I am.

But then I remember
the time she stepped
too deep at the city pool;
her cheeks filled
with air like balloons
ready to pop.

She needed to breathe
as she looked up at me
with closed eyes,
pleading with her tiny hands
for her daddy to save her.

“Peel the orange,
peel, peel the orange…”

She hovers, waiting:
not forming,
not peeling,
my hazel eyes crouched
in her sockets,
fingers twiddling,
feet primed to spring.

She is not as nimble
as the others,
neither as statuesque
nor graceful
as God deemed in His
perfect wisdom
to deny her.

They dance in time
while she stands still.

“Squeeze the orange,
squeeze, squeeze the orange!”

She rushes her favorite teacher,
a young woman of seventeen,
and squeezes her with all her might
as the rest of the little girls
run to catch up with her.

She knew what she was doing all along.

Now she is first
in the center
of a warm,
safe little world:
not as pretty,
or fast,
or gifted
as some of them…

But more beautiful than them all.

Sunday, June 7, 2009

The Good, the Bad, and the Truth About Writers' Conferences

I have been to two (count them), yes, two writers' conferences, so to say my experience is limited is to say exactly how much I know about them. But I have some advice about the writers' conference, both good, and not so good, nonetheless.

Here's the short version: Save your money.

Here's the longer version: Save your money. Save your money. Save your money.

Now for the extended-dance-party-mix-version...

The Good: At both conferences I got to meet face-to-face with agents, editors (a.k.a. Book Doctors), and other, more successful authors. Meeting with agents in particular was a nerve-wracking experience comparable to asking a supermodel out on a date or meeting God with a guilty conscience (NOT because they were all that good-looking or all-powerful, but because they had your heart and/or your fate in their hands). Some of their advice I still carry with me to this day, along with my later, more or less, tragic epiphany; which brings me to the bad...

The Bad: I payed close to $300 smackeroos both times. I wish I had figured out something the first time and saved myself (and my wife) the money. See it dawned on me after every agent I talked to was interested in my book idea that EVERY SINGLE agent I talked to was interested in my book idea. EVERY SINGLE ONE. Is it because my book pitch was so brilliant, so off-the-charts original that they just HAD to see it? Umm, as much as I'd like to say that was the case, it wasn't. I puzzled this out after lunch with a bunch of other hopefuls who, amazingly enough, also got semi-enthusiastic requests from agents to see them strut their writing stuff. The difference being that they hadn't figured out yet (as I just had) that the agents were telling EVERYBODY that. Why? To keep us coming, is my guess.

So here's the ugly (a.k.a. the truth): The writing business is about making money from talented peoples' artistic endeavours. If you go to a conference, go for the advice, the perspective, the companionship of others who are striving to become successful in a business that doesn't care if you are or not. If you're going to get published, chances are that won't happen any more expeditiously (50 cents please) than if you were to query agents via snail mail (the Internet, apparently, is still against the majority of their religions).

Or maybe it's just me. Either way, keep the faith. It'll happen.

Promise.